Tag Archives: Tanya Egan Gibson

why don’t i read more female authors?

Looking over my book shelves I’m embarrassed to admit that 75% of the books are by male authors. It makes me really sad. There must be more female authors that I can connect with. Most of the female writers I have read are contemporary and have only one published book but I anxiously await more. Muriel Barbery, Monica Drake, Tanya Egan Gibson, Alice Zeniter: more please. So much more please. There are of course, the classics that I read when I was younger. Mary Shelley, Anais Nin, Simone de Beauvoir and Anne Rice. Ok, maybe Anne Rice isn’t a modern classic, but she’s definitely a cult classic.

I only recently discovered Joan Didion because I heard an interview with Bret Easton Ellis and he said how much he respected her and that the greatest achievement of his career was when Didion dedicated one of her books to him. I had to know who made Ellis swoon. I read Play It As It Lays and was smitten. I plan on slowly making my way through all her works.

Patricia Highsmith I read years ago when The Talented Mr. Ripley was made into a movie. I don’t think I quite understood how dark the novel was and I plan on rereading it this year. I read The Price of Salt because it was on the staff recommendation list at Booksmith on Haight Street. From the first chapter I realized that I would be rereading it again. The characters, plot, language, everything was as fluid as the car drive the characters embark on. I picked it up because the quote read, “said to have inspired Lolita” and after reading it, I see why.

There are some amazing young adult writers with strong female characters. J. K. Rowling has created a series of books about friendship, loyalty, education, and magic. My cat is named after Hermione Granger, one of my favorite female characters. Suzanne Collins has written a great trilogy with a strong female narrator who has to support her family.

Some great horror writers are Anne Rice, Charlaine Harris, Poppy Z. Brite and Mira Grant. I have read almost every book by Anne Rice, and many of them I have read multiple times. I reread The Witching Hour last year and I am pleased to say it held up. Anne Rice takes you into another world with a rich history and creative plots. Reading her books inspired me to travel abroad. Poor Charlaine Harris. Who designed her book covers? Flying coffins with vampires on them? Is that supposed to be funny? I’m not sure because that never happens in the books. So why would something so absurd be on the covers? I avoided her based on the covers and also because I am such a huge Anne Rice fan. This recent pop culture obsession with vampires is tiring. I refuse to read the Twilight series because I was reading Anne Rice when I was thirteen, so why would I read a book for a teen when I’m in my thirties? That being said, Charlaine Harris has created a fun world with vampires, werewolves, and pixies. They are a bit more on the romantic side than I’d like, but they are definitely a fun read. And the concept of vampires “coming out of the coffin” is quite witty. Poppy Z. Brite also wrote horror novels and set her novels about a club and music scene that I could relate to. I haven’t read her for years but I’m sure I will pick up one of her books again. I’ve only read one book by Mira Grant, Feed, but I have the sequel, Deadline, and look forward to reading it. She created a zombie-filled world that made my heart race. At times I wanted put down the book because reading it made me so anxious, and yet I couldn’t because I wanted to know what would happen next. Coincidentally, the female narrator was strong, smart, and admirable.


Last year a friend took me to a see Norwegian authors be interviewed in conjunction with Lit Quake. Tom Egeland , Jørn Lier Horst, and Liza Marklund discussed why Nordic Noir is so popular right now. We met Marklund after the interview; she was so kind and patient with the two nervous fans with a malfunctioning camera. She insisted we retake the photo until the flash worked. Her stage presence and brilliance were illuminating and she won me over for life. I’ve read two of her books, one my friend gave me, called Studio 69 and Red Wolf, the book she was promoting. Both of the books have the same female journalist; each is a page turner.

Here are some other fun writers:
Historical fiction – Tracy Chevalier, Margaret George, Philippa Gregory.
Memoir – Azar Nafisi; Jan Kerouac, daughter of Jack Kerouac (they each deserve their own blog entry as their memoirs have stuck with me more strongly than most other books).
Fiction – Barbara Kingsolver, Joanne Harris, Helen Fielding (Bridget Jones’ Diary is funny – and Salman Rushdie has a cameo in the movie.)

Why don’t I connect with female writers? Why do I lean so heavily towards male writers? I like reading about strong female characters and yet they are developed by men. I won’t stop  reading the male authors I love, but seriously, where are all the great women writers for me to swoon over?

Perhaps it does not help that one of my best friends doesn’t like female writers. We get into arguments about it when I try to convince her to read a female writer. “You know I don’t read them, Mel.” I tried to convince her to read The Elegance of the Hedgehog, a book that moved me to tears, and I still don’t think she’s read it. When I was visiting her in Venice Beach I tried to convince her to buy Joan Didion in the bookstore. I know she’d love Didion. Who wouldn’t? And she refused. And to make matters worse, she said I couldn’t bring my bag of female authors into her apartment…Granted we’d been drinking, and I snuck them in, but the sentiment was there.

I have made a concerned effort to read more women. It’s a shame that I need to make the endeavour. Are they all over and I just don’t notice them?  Do they also have bad covers that deter me from looking at them? I’m really not sure but I do hope to get some good suggestions.

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sometimes you can judge a book by its cover

Yes, it’s true. Some books are prettier than others. Some books draw you in by their superficial beauty – their covers. The following are all books I picked up based on their design. I didn’t know anything about them before I saw them. The flirtatious covers drew me in but I was seduced by their smart plots. I took them home and immediately began reading. The most satisfying moment was when I realized I would be rereading them.

Censoring an Iranian Love Story by Shahriar Mandanipour translated from Farsi
This novel has four major characters: the couple, the writer, and the censor. Mandanipour writes about a love story that is censored; the entire story is there, but he draws a line through the sentences that would be deleted had the book been published in Iran. The censor appears and falls in love with the girl who ends up confronting the author. The fourth wall is torn down but somehow it works.

Battle Royale by Koushun Takami translated from Japanese
Every year 42 classmates are chosen and sent to an island where they have to fight to the death.

Shadow of the Wind by Carlos Ruiz Zafon translated from Spanish
Set in post-Spanish Civil War, a young boy’s father takes him to the Cemetery of Forgotten Books and he adopts one to care for until he dies. He becomes curious and looks for other books written by the same author; however, someone is systematically destroying them. It reads like a Victorian gothic novel with a villain that could be human or otherworldly.

Lipstick Jihad by Azadeh Moaveni
Born in Palo Alton, California, Moaveni is a journalist dreaming of returning to the Tehran of her childhood. After moving  she discovers that she doesn’t belong in Tehran anymore than she belongs in Palo Alto. She is a strong independent woman who struggles to find a balance between her culture and staying true to herself. She writes candidly of the youth in Tehran and how the older and younger generations clash over social interactions, marriage, and fashion.

Let the Right One In by John Ajvide Lindqvist translated from Swedish
A vampire novel about a young boy who is bullied and makes friends with an androgynous neighbor. It was made into a Swedish movie and then an American movie. I was unaware of it’s existence until I saw this cover with the androgynous child. That’s all I needed.

Almost Dead by Assaf Gavron translated from Hebrew
This black humor has two narrators, a Jewish man whose career is focused on increasing job productivity through efficiency and a Palestinian suicide bomber who is in a coma. The efficiency expert narrowly misses being blown up by bombers three separate times and as he symbolizes the strength of the Jewish people he becomes a sore spot and a target for the Palestinian bombers.

The Elegance of the Hedgehog by Muriel Barbery translated from French
A young girl decides that her life will never get better than it already is and vows to kill herself before her 13th birthday. A homely widow is the concierge in an upscale apartment building; she’s brilliant but fears letting anyone realize her intelligence. They form a friendship and both their worlds are forever changed when a Japanese businessman moves into the building.

An Object of Beauty by Steve Martin
Of course I’ve heard of Steve Martin, but I never watched his movies or cared to look at his books. The cover drew me in immediately. It’s so beautiful and the dust jacket paper is delicious to touch. A young woman and her friend begin their careers in the art scene as writer and gallery owner. (After reading this I picked up all his other novels and will always be a loyal fan.)

The Monsters of Templeton by Lauren Groff
A pregnant narrator moves back to her hometown the same day a huge monster’s corpse is discovered in the town’s lake.  She hopes to hide out quietly but instead her mother sets her on a search for a family secret that leads to voices from their history.

How to Buy a Love of Reading by Tanya Egan Gibson
A fifteen year old girl hates reading but loves her best friend who does. Her wealthy parents commission a book to be written for her 16th birthday party. I love the characters, the plot, and the language. I felt like I was reading something by a female F. Scott Fitzgerald or John Knowles, but it is definitely not an exploitation of their novels. It’s as creative as the title.

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