Paul Beatty’s brilliant satire, The Sellout is about a present-day man who accidentally acquires a slave and loves his former town so much that he physically redefines its town lines and reinstitutes segregation. I bought the book because it sounded like a thought-provoking and challenging satire, one of the cover blurbs, called it “Swiftian satire of the highest order.” I assumed I would appreciate the humor and the authorial voice, but detest the protagonist. But Beatty created an incredibly likable character, one that truly means well but can’t help when strange things happen to him (like having a suicidal man he saved pledge his life as a slave to him). He ends up in the Supreme Court as a result of his trying to improve his community. Continue reading
Last week I started to feel numb. I realized I was feeling off and couldn’t figure out why. And then, it clicked. Clay’s death-a-versary. This is the third year since he died. And I’m horrible at dates. I can’t remember people’s birthdays. I never know anniversaries when I’m dating someone. I never bother to pay attention. So why would I remember a death-a-versary? But my body knows. My body mourns and reminds me of the great loss of the weirdest, coolest, most annoying, most awesome person, Clay Wofford, aka CD Wofford, aka, Seedy Wofford.
And of course, this day reminds me of the deterioration of his body and mind. And subsequently, the deterioration of our friendship. For years after we broke up, we remained friends. We were in weekly contact: at some points, daily contact.